Where is upstream color showing

Myles McGee Monty as Monty. Carolyn King Wife as Wife. Dave Little Veterinarian 1 as Veterinarian 1. Julie Mayfield Veterinarian 2 as Veterinarian 2. More like this. Watch options. Storyline Edit. Not Rated. Did you know Edit. Trivia The film that Kris is editing at the beginning of the movie is A Topiary, the film that Shane Carruth had begun production on before deciding to film Upstream Color instead. Goofs When the Sampler is incapacitating a pig with his instrument, the knot is thrown towards the pig's face and stretched.

Quotes Thief : I have to apologize. User reviews Review. Top review. Downstream Oblivian. I give it 5 stars for keeping my interest. At least five or six times, I was ready to stop watching it. Magnolia Pictures offers more than a dozen places to watch its films before they hit theaters , and the company can be sure its films won't be blackballed because its parent company, Entertainment, also owns Landmark Theaters.

It's a savvy piece of vertical integration that gives the prestige of a theatrical release along with the profit stream of immediate on-demand revenue. It would be hard to release a blockbuster that way, but for Magnolia's slate of low-budget indies, it works just fine. Todd Wagner, co-owner of Entertainment, explained his reasoning at a Tribeca Film Festival panel earlier this year. I'm saying, some movies, maybe. Some movies, a month later. Some movies, three months later.

Since he's only distributing one movie at a time, Carruth faces a different set of challenges. Upstream Color isn't big enough to change anyone's business model, but it also doesn't have the clout to make larger theaters budge.

Carruth's plan from the outset was to have a day theatrical release window followed by an online release whether the movie was still in theaters or not , but it wasn't always an easy sell. Arthouses were willing to accommodate his plans because of their interest in the film, and didn't see streaming access as a threat. Carruth says IFC Center, one of the first to sign on, actually saw a bump in ticket sales after the film started streaming.

Weekly figures show a slight decline in total box office with a small jump in per-screen average. But for larger chains, the day release window was a dealbreaker. When Carruth approached Landmark Theaters, its offer was 90 days or nothing. In the end, Carruth chose nothing. Upstream opened small, filling 43 theaters at its peak. Having Landmark on its side would have more than doubled that number. He's also faced an uphill battle getting hold of the viewing data that online services have used so effectively.

Netflix knows how and when people are watching each film, and it's using that information to great effect , but like any business asset, it's not eager to share the information. It's been difficult to convince everybody how important that is.

As a result, they've kept quiet, and Carruth has had to get his data from third-party hacks like InstantWatcher. The Sampler is basically a power freak. Rather than merely take advantage of her resources, he wants to continue to influence her consciousness, toying with her awareness by creating various sounds and sensations in his remote location that impact her waking life.

How does Jeff figure into this? In the midst of all this confusion, Kris meets a workaholic named Jeff Carruth and eventually falls in love with him. On a basic plot level, the connection shared by Kris and Jeff implies that the bug experiment may have been larger than just the two of them; later scenes confirm this was indeed the case. About those piglets. While not exactly characters in the movie, the piglets contain a representative power that culminates when The Sampler hurls several of them into a stream in the final, wordless act.

Here is a movie you haven't seen before. If you think you have, it's probably because you swallowed a white worm that turned you into a pod-person subject to total mind control and now you're having flashbacks. Or flash-forwards. Or peripheral flashes. Or maybe you've simply seen Shane Carruth's previous film, the time-shuffling " Primer. It's only Carruth's second feature, appearing nine years after his first, but one of the most striking things about it is that it's recognizably the work of the same sensibility that imagined and composed "Primer.

If that sounds a little obscure, well, the movie is designed as an enigmatic experience, to be absorbed, felt, puzzled over, free-associated about and reconsidered while you're watching it and then for a good while afterwards. Once you know what the title refers to, you still won't necessarily know what it means. The story resists synopsis, and even the bits that can be summarized probably shouldn't be, because "Upstream Color" can't be reduced to a linear narrative. It's not about what does or does not happen to whom and when.

It is what it is, as it is, in any given moment. The first thing we see is a plastic trash bag with some paper chains spilling out. A man in a green t-shirt grabs it and deposits it in a dumpster. A boy on a bike watches him. A man the same one?